Guitar lick rock


To play this fragment based on the a blues scale A C D Eb E G , angle your fretting hand to elongate your reach, and use your ring finger for the eighth-fret hammer-ons. This study divides the fretboard into five areas, or positions. Here we're using the 5th degree E as a pivot, ascending through various degrees of A minor scale but always returning to the E 'pedal-tone' after each new note. Image 29 of 51 Here's a Blackmore-inspired riff. Here's a pedal-tone idea that is melodically simple yet retains interest via the use of some crafty slides. You may remember Area 2, Ex 2. Another way to expand your knowledge is to imagine you have to write all of the examples for this lesson, and you can't use any of the ones we've already presented.
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Guitar Encyclopedia Solo Lick

Where would Thin Lizzy or indeed Jimmy Page be without this lick? Image 49 of 51 We've taken a few liberties here, as strictly speaking numerous notes are out of position. The thickening effect of playing two notes at once is remarkably effective when projection is an issue. The reduced tension of the second string and using support fi ngers makes this perfectly feasible. Image 21 of 51 There are two pathways through the minor pentatonic scale that traverse the fingerboard using nothing but tone gaps and slides. It's also got a rather interesting rhythmic shape. Rock requires conviction, so be bold and play with authority.
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Guitar Lick Dojo – Guitar Licks, Video Lessons, Backing Tracks

Image 40 of 51 Here we're seamlessly making the transition from a minor triad arpeggio to a connecting fragment based around the associated diatonic minor scale. Get MusicRadar straight to your inbox: Image 42 of 51 The only thing that separates many classic rock phrases from their closely related blues cousins is the amount of gain and dynamic attack. While it's a great idea to move these ideas through a complete scale in its entire range, you may find it more effective to use just a short fragment of each pattern. Image 11 of 51 Unison bends sound great.
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Guitar lick rock
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Guitar lick rock



Description: The only thing that separates many classic rock phrases from their closely related blues cousins is the amount of gain and dynamic attack. We've taken a few liberties here, as strictly speaking numerous notes are out of position. In the second bar we also see a brief appearance of the flattened 5th, giving us effectively the blues scale R b3 4 b5 5 b7 , another hugely used scale in all rock styles. For each area of activity we have presented ten different ideas - a lick, a melodic fragment, or some form of sequential permutation of the notes. Image 49 of 51 We've taken a few liberties here, as strictly speaking numerous notes are out of position.

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